Zimbabwe’s beloved musical rebel, Winky D, has returned with another thought-provoking hit that’s causing waves across the country and beyond.
His latest offering, Propaganda, is more than just a song — it’s a lyrical missile aimed at misinformation, media manipulation, and the systems that continue to oppress everyday people.
Released quietly yet explosively, Propaganda has already been hailed as one of the greatest reggae tracks ever produced by a Zimbabwean artist. Winky D, affectionately known as DiBigman or Gaffa, doesn’t hold back.
With lyrics that cut deep and riddim that hits hard, he once again proves why he’s not just an entertainer, but a cultural icon and voice of conscience.
What makes this track even more remarkable is the collaboration behind it. The riddim was produced by internationally acclaimed South Sudanese selector and reggae producer Dynamq (real name Kennedy Ongele Lorya), a legend in global reggae circles.
Recorded by local genius Oskid, with backing vocals by Mariah Ngoma, and visuals directed by Imaniii, the production fuses raw African energy with polished global quality.
From the first beat, Propaganda announces itself as serious business. The song that questions authority, media narratives, and state-sponsored misinformation.
“They selling us illusions just like Santa,” sings Winky D, taking a jab at how the public is fed curated realities instead of truth.
In true Gaffa fashion, Propaganda is not subtle. It’s bold, urgent, and painfully honest. “Me nah watch no news, me nah read no newspaper,” he declares — a statement of defiance against a media landscape many feel has become complicit in oppression.
The verses touch on everything from censorship and selective journalism to the silence surrounding real social issues. It’s a lyrical protest — a call to awareness.
“Captured journalist inna beating from the big belt yah,” he sings, possibly referencing recent incidents that reflect the shrinking space for press freedom in Zimbabwe and other parts of the continent.
The refrain “Noo Propaganda” becomes both a chant and a demand — for truth, for justice, and for liberation from lies.
The reaction online has been nothing short of electric. Social media has been flooded with praise, hot takes, and emotional responses. One fan wrote, “I got goosebumps nhymi listening to this … it’s really good.” Another said, “This is not music, it’s a movement!”
Prominent voices joined in the celebration. Commentator Gerald Zororo Mudange posted: “Winky D is more than just a musician—he’s a revolutionary voice for the people! ‘Propaganda’ isn’t just a song; it’s a bold statement that echoes the struggles and resilience of Zimbabweans.”
Comments from listeners compared Winky D to Bob Marley, Peter Tosh, and other global reggae legends, with one fan boldly declaring, “He is quickly replacing Bob Marley.” Others emphasized the song’s relevance, especially in a time where journalism and truth are under siege.
One viral comment summed it up powerfully: “This is not the type of music for the unfocused youth. This is for those longing and working for a better life for themselves and their communities.”
The EP Pabhoo marks a return to form for Winky D, blending deep lyrical content with infectious reggae rhythms and unmistakable Zimbabwean flavor.
But the song also arrives at a crucial moment in the country’s cultural and political timeline. With issues of censorship, arrests of journalists, and a growing sense of distrust in official narratives, Propaganda feels less like a track and more like a timely intervention.
Winky D has always walked a controversial line — challenging power structures through music in a country where such boldness often comes at a cost. Yet, despite being blacklisted from state radio, threatened, and sometimes silenced, he has remained committed to using his platform to amplify the voices of the voiceless.
Propaganda is not entertainment. It’s a mirror, a megaphone, and a movement — all in one.
As one fan perfectly put it: “This song is the current national anthem. Full stop.”
